HOME DECOR
I'VE CAREFULLY CURATED A COLLECTION OF MY HOME DECOR AND RESTORATION PROJECTS, ROOTED IN MY DEEP APPRECIATION FOR USING A WIDE SPECTRUM OF COLORS AND INTRICATE GEOMETRIC PATTERNS TO EVOKE UNIQUE EMOTIONAL SUBTLETIES AND STORIES IN EVERY SPACE.
FOLDING
WALLPAPER
THE UTILIZATION OF THE FOLDING WALLPAPER TECHNIQUE INTRODUCES A CAPTIVATING INTERPLAY OF IRREGULARITIES, IMBUING THE COMPOSITION WITH AN INTRIGUING BALANCE THAT DEFIES CONVENTIONAL DIMENSIONS AND SHAPES
STAMPING
THE ART OF STAMPING COMMENCES WITH THE DISCOVERY OF A DESIGN THAT RESONATES WITH ONE'S AESTHETIC SENSIBILITIES. THIS CHOSEN DESIGN IS THEN METICULOUSLY TRANSFERRED ONTO A STYROFOAM MEDIUM, WITH SUBSEQUENT SCULPTING AND CARVING TECHNIQUES EXPERTLY EMPLOYED. THE AVAILABILITY OF DIVERSE STAMP SIZES FURTHER ENRICHES THE CREATIVE PROCESS, OFFERING THE OPPORTUNITY TO CRAFT BESPOKE, ARTISANAL IMPRESSIONS
GILDING
Both were done with an Oil size
Oil Size
GILDING IS ANY DECORATIVE TECHNIQUE FOR APPLYING A VERY THIN COATING OF GOLD TO SOLID SURFACES SUCH AS METAL, WOOD, PORCELAIN, OR STONE.
SPONGING
STIPPLING
THE SPONGING EFFECT IS PRODUCED BY EITHER APPLYING OR REMOVING COLOR BY "POUNCING" WITH A SEA SPONGE WHILE THE PAINT IS STILL WET
​
WITH STIPPLING, A GLAZE OR PAINT IS APPLIED TO THE SURFACE AND WHILE IT IS WET, A STIPPLER IS POUNCED ONTO THE SURFACE CAUSING THE GLAZR TO DISPERSE INTO TINY DROPS
​
SPECIALTY
DECORATIVE
FINISHES
visual illusion in art, especially as used to trick the eye into perceiving a painted detail as a three-dimensional object.
(from the French for false wood) refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'Å“il.
(from the French for false wood) refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'Å“il.
(Japanese lacquerware) was developed by the priests of the Japanese monastery Negoro-dera as early as the 14th century, and included the vessels used for their simple meals.
(Japanese lacquerware) was developed by the priests of the Japanese monastery Negoro-dera as early as the 14th century, and included the vessels used for their simple meals.